Tag Archive | King Lear

Book Review: “The Year of Lear: Shakespeare in 1606” by James Shapiro

 

In my profile of William Shakespeare’s character, King Lear, from the play of the same name, it was clear that Lear was suffering from dementia and, most probably, Lewy Body dementia.

The Year of Lear Book Review Going Gentle Into That Good NightSo I thought I’d share my review of The Year of Lear: Shakespeare in 1606 by James Shapiro to get a wider perspective on the year that saw Shakespeare give a title character in one of his plays many of the behaviors and symptoms of advanced cognitive impairment and Lewy Body dementia.

This book explores how the world around Shakespeare (beginning with the Gunpowder Plot on November 5, 1605 – now commemorated annually in England as “Guy Fawkes’ Day” – which had deep political and religious roots) during the early part of the reign of King James I, with an especially tumultuous year in 1606, influenced his writing that year.

Much of what was going on politically, socially, and emotionally in England at the time is reflected in the lines of King Lear, Macbeth, and Antony and Cleopatra, all of which are among Shakespeare’s tragedy plays and all of which Shakespeare wrote in 1606.

The Gunpowder Plot in late 1605 triggered much of the political and religious climate that overshadowed 1606. The plot, engineered by English Catholics who feared greater persecution – they got it – and more “do-or-die” pressure to abandon their Catholicism – a prescient fear even they didn’t realize the extent or depths of of James I – underscored the continued intense subterranean battle between England’s Catholics and Protestants.

While the plot was thwarted by the usual treachery and intrigue (it would have obliterated much of the heart of London government – buildings and people – and would have significantly changed the overall physical landscape of London), James I – as King of Scotland first, he was viewed as an interloper by much of the English population – reacted ferociously with a wide net that touched every English citizen, including Shakespeare, determined to have his will – the union of Scotland and England under one umbrella – no matter what he had to do to make it happen.

It seems James I did everything he could to alienate his English subjects, including moving, by disinterring, the graves of the royals in Westminster Abbey.

Most notably, he disinterred Elizabeth I and buried her on top of Mary I (“Bloody Mary,” the religiously-fanatical daughter of Henry VIII and Catherine of Aragon, whose main accomplishment on the throne was a religious pogrom against Protestants, of whom Elizabeth I was one), then moved his mother, Mary, Queen of Scots (one of Elizabeth’s staunchest rivals for the English throne), into Elizabeth’s grave and giving her a greater position of status in the cemetery.

William Shakespeare as a young manShakespeare, who lived in the heart of London most of the year, had a front row seat to all of this as part of the King’s Men, who were patronized by the crown, as they had been during Elizabeth I’s reign.

1606 was a year of fear (the plague hit London particularly hard during 1606, adding to the political and religious fear that was rampant in the city) and division (political and religious) and nostalgia (although by the end of her long reign the English believed Elizabeth I’s rule had become stagnant, the actions of James I made them long for her “good old days”) that punctuated the year.

I highly recommend this book even for people who may not know or really appreciate the incredible talent and acute, heart-of-the-matter insight that Shakespeare brought as a writer to his plays. Perhaps it will be a catalyst to go and read at least these three plays through the eyes of 1606.

Profiles in Dementia: William Shakespeare’s King Lear

William Shakespeare as a young manWilliam Shakespeare, the playwright, was one of the most intuitive and astute observers of the human race. A careful reading of his body of plays – especially the histories and the tragedies – show an author who intimately understood human nature and human folly at their very core manifestations.

In King Lear, one of Shakespeare’s most gut-wrenching plays, Shakespeare gives us an in-depth look at what dementia – and, most likely, based on the symptoms, Lewy Body dementia – looks like in action in his portrayal of King Lear.

From a big-picture standpoint, the play shows in close detail how dementia can destroy a family (and a kingdom), and it shows how family dynamics can hasten the destruction. It also shows how dishonesty with our loved ones with dementia is never acceptable

The summary of King Lear is fairly straightforward. King Lear, a monarch in pre-Christian Britain, who is in his eighties and aware of his own cognitive decline, decides to abdicate the throne and split the kingdom among his three daughters, with the promise that they will take care of him. 

The first sign of Lear’s dementia is his irrational criteria for how he’s going to decide which daughter gets the largest portion of the kingdom: not by their abilities, strengths, rulership experience, but by which one professes the greatest love for him.

His two oldest daughters are duplicitous and try to outdo each other with their professions of love for their father (they don’t love him, but they want the lion’s share of the kingdom).

King Lear’s youngest daughter, who genuinely loves her father and who is his favorite, gets disgusted with the whole thing and refuses to play the game.

King Lear, in a sudden fit of rage, then disowns his youngest daughter completely. When one of her friends, the Earl of Kent, tries to reason with the king, King Lear banishes him from the kingdom.

King Lear’s youngest daughter then marries the king of France and leaves King Lear in the hands of his two devious older daughters.

The Tragedy of King Lear - William ShakespeareBoth daughters are aware of King Lear’s vulnerability because of his cognitive decline and are intent on murdering him so that they can have everything without the responsibility of having to take care of him. They treat King Lear horribly in the process of formulating their scheme to end his life and be rid of him.

The youngest daughter comes back from France to fight her sisters, but loses and is sentenced to death instead.

While she is awaiting execution the two older sisters fight over a man they both want. The oldest sister poisons the middle sister, who then dies. 

The man the two sisters were fighting over has been fatally wounded in battle and he dies (but he reverses the execution order of the youngest sister before he dies). After his death, the oldest sister commits suicide.

Meanwhile, the youngest sister is executed before the reversal order reaches the executioners. And King Lear, upon seeing his youngest daughter dead, dies too.

Woven throughout the plot are signs that King Lear has dementia, that he knows something is cognitively wrong, and we watch him actually go through the steps of dementia throughout the play.

King Lear exhibits deteriorating cognitive impairment, irrational thinking, sudden and intense mood changes, paranoia, hallucinations, and the inability to recognize people he knows.

Lewy Body dementia seems to be evident in King Lear’s conversations with nobody (he thinks he sees them but they aren’t there) and the sleep abnormalities that are brought out in the play.

A few poignant lines spoken by King Lear give us a glimpse:

“Who is it that can tell me who I am?”

“O, let me not be mad, not mad, sweet heaven
Keep me in temper: I would not be mad!”

“I am a very foolish fond old man,
Fourscore and upward, not an hour more or less;
And, to deal plainly,
I fear I am not in my perfect mind.”

“You must bear with me:
Pray you now, forget and forgive: I am old and foolish.”

Everyone around King Lear knows he’s not himself, including his deceptive daughters, who note after he disowns his youngest daughter, how bizarre his behavior was toward someone he loved so much and how quickly his temperament changed. King Lear see

As the play progresses, King Lear’s dementia continues to be revealed in his frequent rages against fate and nature, in his disregard for personal comfort or protection from the elements, and in his eventually having fewer and fewer lucid moments in which he recognizes people and knows who he is.

If you haven’t read King Lear in a while or you’ve never read it at all, it is an entirely different experience to read it now with the knowledge of dementia as a backdrop. It’s even more tragic than we even imagined.